Task 5: Knife, Fork and Spoon using Graphite or Charcoal

Let’s finish off still life with a tricky one! Metallic objects with shine can really test your observation and use of tone…so a great one to bring together what we have done until now.

High contrast is the key to drawing bright reflective surfaces. So, for this task we need to know about tonal range but also; composition techniques, charcoal techniques, graphite techniques, observation techniques and a generous helping of creativity! Experiment with a style you have developed and enjoy to make this task your own 🙂

 

Tips:
Graphite or charcoal can be used for this task-I will demonstrate by using both! The graphite is good for the reflections and midtones, whilst charcoal will give great cast shadows and give that real dark contrast we are aiming for.

If you are using white paper, that is your lightest value so save that for the extreme highlights you observe on your objects.

The environment or setting in which you draw your subject always affects the subject itself. The effect can be dramatic with reflective objects so you need to consider that when setting up your still life for this task.
Working from photographs is great as you can rotate them! Great for practicing. As we have already seen from task 1 you can ‘see’ and interpret the shapes better if you turn the photograph sideways or upside down. Plus the photograph is 2 dimensional and you are translating this to another 2 dimensional surface, your drawing. Nothing beats the real thing though, so keep those real objects in their composition right in front of you.

Accuracy of the shapes of the reflections is important when drawing metal objects but with cutlery it keeps this simple as you can set up so no actual objects are reflected!  Although the contrast of the reflections is crucial for a realistic drawing: from bright white highlights to black (or nearly black). Also, have a good look at those objects you set up, can you see the sharp clean edges of the reflections? You have to be bold with this drawing and make those sharp edges apparent with less blending. Reflections are what make your surface look metallic- you can make anything look shiny with bright highlights but metallic is different. Smooth gradual changes in value will still appear within a shape, but this will not affect its clean, sharp edges. So keep those pencils sharp! You can’t make crisp edges and outlines if your pencils are dull.

Go for it 🙂

 

Check out this resource of mine which talks through the process to help you with this task:

Drawing Cutlery

 

Also my FB Iive video can talk through some of the hints and tips from the resource to show you how you could approach this task 🙂

 

Join our Facebook Group for LIVE lessons and friendly art community – see you there 🙂

Why not have a go at this and post your artwork for me to see. Maybe I or the community can offer support, encouragement and helpful feedback.  – share your work on TWITTER and INSTAGRAM – POST  using our hashtag #ONLINECOLLEGEART

Task 4: Still Life Using Graphite

Back to graphite we go…

So we are beginning to bring together all of the skills we have learned so far. We will soon be moving away from our tonal work so let’s try another Still Life drawing but this time with our graphite pencils.

Things we have covered so far:

  • Observation Skills- right side of the brain
  • Tonal Scale & Universal forms
  • Charcoal Techniques
  • Composition Considerations

Now we need graphite techniques to complete our skills in observational drawing.

You can use similar skills developed using charcoal for your graphite drawing, such as using a kneaded eraser to help with highlights. Do what you feel is right for you whilst applying the full tonal range to your drawing.

The same composition techniques we have discussed will apply and you should refer back to your universal forms to remind yourself of the different highlights and shadows. This time it should be easier as you will have the objects in front of you; if your light is good (natural light by a window) and your choice of objects is good (range of sizes, forms, textures) then you should be finding it easier to observe and create successful observational drawings.

Doing some different mark making exercises will also help you to decide on your style. It will also develop your understanding and control of using a graphite pencil in different ways. We have looked at adding tone to our shapes in a Sfumato sort of way so far, but there are many others that might suit you better and give a different character to your work.

Check out this resource to help you:

Mark Making

Have fun and remember to share your work for friendly feedback to support your progress – Join our Facebook Group for LIVE lessons and a friendly art community – see you there 🙂

Here is the video link to my FB Live Mark Making Lesson

Why not have a go at this and post your artwork for me to see. Maybe I or the community can offer support, encouragement and helpful feedback.  – share your work on TWITTER and INSTAGRAM – POST  using our hashtag #ONLINECOLLEGEART

Task 2: Graphite Intro

Tonal Scale and Universal forms

Check out the resource above to support you with this task 🙂

The aim is to add a tonal scale to Universal Forms.

Universal forms are: Cube, Cylinder, Cone and Sphere. Once you can apply tone to all of these forms, you can observe and add tone to any object!

The great artist Paul Cezanne said of universal forms:

Everything in nature adheres to the cone, the cylinder and the cube.

 

Join our Facebook Group for LIVE lessons and friendly art community where you will find a demonstration of this task- see you there 🙂

Why not have a go at this and post your artwork for me to see. Maybe I or the community can offer support, encouragement and helpful feedback.  – share your work on TWITTER and INSTAGRAM – POST  using our hashtag #ONLINECOLLEGEART